Despite Jayasurya’s impressive performance as an alcoholic this film is let down by its slender screenplay. The film is inspired by a real-life person and his struggles with a chronic drinking problem. Director Prajesh Sen who had helmed Jayasuryas sports drama Captain directed the film, in addition to writing it. The film begins on a high note as it demonstrates the helplessness of an addict and the constant degradation of oneself to stay in the state of drunkenness.It is a procedural drama that follows the aspirations of two good-natured computer experts. Despite their knowledge of computers, they cant crack the job interview owing to their inability to speak fluent English. The two later start helping the ill equipped cyber crime department of Kerala police. And in no time they prove resourceful. Their loyalty and determination, however are only met with discouragement and insults. Tharun Moorthy’s directorial is messy in many ways. The pacing was uneven and a few scenes in the film felt rushed. But, it is very informativeThe ominous first look poster of the film featuring Mammootty in a brown robe had created a massive hype for the film. And surprisingly, when the film opened in Kerala after the first lockdown it was well-received at the box office by the audience. That doesnt take away from the the fact that The Priest was a huge disappointment. The compelling premise and the intriguing ghost-hunter character of Mammootty are not effectively used to deliver a maximum thrill. Debutant director Jofin T.Santhosh Vishwanath had helmed this film from the script penned by screenwriter duo Bobby and Sanjay. The film revolves around an idealist Chief Minister, played by Mammootty, who wants to revamp the entire political system by giving extraordinary revisionary powers to the public.his film could have been so much better if only newcomer director Naseef Yusuf Izuddin and his writer Sunil Yadav had not circumvented challenges thrown by the script and taken shortcuts. Soubin Shahirs Alex is the weakest link in this series of lies deceit and half-truths. As usual Fahadh Faasil is good in the movie and Darshana Rajendran performs her role as well as she could. The writing is so superficial that at the end of the film you don’t really feel for any of the characters. Mamitha Baiju as Anju overact while Rajisha Vijayan as Maria Francis struggles to lift up a wafer-thin script. The stakes in the film are not that high and the choreography of Kho Kho matches is underwhelming. You don’t learn much about the characters or the game. Director Appu N. Bhattathiri and his writer S. Sanjeev wanted to deliver an intelligent horror drama. But, what they all managed to do is put together a good looking film, which is unnecessarily brooding and painfully slow. Director Tanu Balaks film has an interesting premise. It is a clash between a logical cop Prithviraj and a journalist Aditi Balan who follows paranormal activities.This film is a story of two men trying to kill each other. Perhaps, the online pitch for this film must have read like this: It’s not the size of the dog in the fight its the size of the fight in the dog. Writer Yadhu Pushpakaran has turned this line into a non-stop violent fest.